Showing posts with label The Samadhi Mandir. Show all posts
Showing posts with label The Samadhi Mandir. Show all posts

The Samadhi Mandir

Samadhi Mandir
"Do not think I am dead and gone. You will hear me from my samadhi and I shall guide you."
--Sri Sai Baba
These moving and inspiring words, spoken by Sai Baba, have played their part in ensuring that the Samadhi Mandir (also known as the Sai Baba Temple, although technically it is a shrine rather than temple) is the most important site in Shirdi, and the main focus of Sai worship and devotion. For it is here that we find the samadhi (tomb) of Sai Baba, with the compelling statue above it.

Baba has famously pro-mised, "I shall be active and vigorous even from the tomb," and it is perhaps in the mandir that we can most fully experience the phenomenon of Sai Baba and the remarkable way he has touched the hearts and lives of millions of people from all over the world. At any given point, the shrine will be full of devotees eagerly queuing up to have Baba's darshan. People will be holding flowers, garlands, sweets, or fruit to offer Baba at his samadhi. Some may have a personal item - such as a shawl, book, key to a new possession, etc, which they have brought here to obtain Baba's blessing by offering it at his feet and having it touch his tomb. Some people may be chanting,"Sri Satchidananda Sadguru Sainath Maharaj ki jai!" (Hail the great sadguru, Lord Sai, who is being-consciousness-bliss!) and others may be singing bhajan or whispering prayers. At busy times, especially during festivals, the queue for darshan used to stretch for hundreds of metres through the village streets; with the recently constructed Queue Complex, this is no longer the case. People may wait up to eight hours just for the opportunity to pay brief homage to their Lord. The atmosphere of fervent and one-pointed devotion reaches its zenith here. "Attention one and all!" commands the noon arati psalm, "Come, come quickly and make obeisance to Sai Baba!" This is exactly what the devotees are hastening to do, and to be part of this torrent of emotion is a powerful experience.
Concerning the significance of Sai Baba's tomb and the response that devotees experience there, Sri Babuji was once asked whether there was any difference for the devotees between now and when Baba was in his physical body. He gave the following reply:
"Baba was never confined to his physical body even before 1918, because he himself said, 'My murshid (guru) has already freed me from this body. Whoever thinks that this body is Sai Baba, hasn't seen Sai Baba at all.' His devotees need some means of interacting with Baba, and because his body had already been released, it was actually a tomb - a small, moving, limited tomb that was capable of interacting with a number of people. Then, because he is so loving and he wanted to cater to the growing needs of the people, he had to change. So he changed his tomb - from that tomb to the present tomb, which is an extension of the one he had before, and is a form of Baba's body. That is why he said, 'My tomb will speak, my tomb will move, my tomb will answer,' just as his physical body had been answering."
In this form, thousands of people a day are able to take Baba's darshan and do namaskar to him.
The shrine which houses Baba's tomb was originally constructed as a wada (large private house) during Baba's last years in his physical body. It is built on some land which Baba had tended as a garden. Sai Baba seemed to like growing plants and in his early days he cleared and levelled this land which had been used as a dumping ground. Using seeds that he had brought from Rahata, he planted it with jasmine and marigolds. For about three years Baba would water the plants every day and distribute the flowers to the local temples. Now that his tomb is here and Baba is receiving so many devotees, it seems that he is nurturing plants of a different nature - and still sowing seeds.
The shrine was built by a wealthy devotee from Nagpur, Gopalrao Booty. The Sri Sai Satcharitra describes him as a "multi-millionaire". He was introduced to Baba by S. B. Dhumal about ten years before Baba's mahasamadhi.


Samadhi Mandir
The Samadhi Mandir in the 1920s.
 
The wada was originally intended as a resthouse and mandir. The inspiration for the building came to Booty in a dream, when he was sleeping beside his friend and fellow devotee, Shama. Baba appeared and told him to build a house and temple. Excited by his vision, Booty immediately woke up and pondered its significance. He noticed that Shama had tears in his eyes and asked him what the matter was. It transpired that Shama had just had the same dream and was deeply touched by it. He told Booty, "Baba came near me and said distinctly, 'Let there be a wada with a temple so that I can satisfy the desires of all.'" Together they then drew up some rough sketches, showed them to Kakasaheb Dixit for approval, then took them straightaway to Baba to ask his permission to go ahead with the plan. Baba responded warmly and gave his blessings to the project.
The work was begun around 1915. It was built in stone and was therefore known as dagadi (stone) wada. Shama supervised the construction of the basement, ground floor and well. Later, Bapusaheb Jog took over supervising the work. When Baba passed the site on his way to Lendi, he would sometimes offer suggestions. As the building progressed, Booty asked Baba if he could include a temple on the ground floor with a statue of Murlidhar (a form of Krishna). Baba readily gave permission and said, "When the temple is built, we shall inhabit it and ever afterwards live in joy." Shama then asked Baba if that moment was an auspicious time to start the work and Baba replied that it was. Shama immediately fetched and broke a coconut and the work was begun. The foundation was quickly laid, a pedestal prepared and an order placed for the idol. However, the significance of Baba's comment was not appreciated until a few years later.


Samadhi Mandir
The main square with the Samadhi Mandir and Gurusthan.
 
It was around this time that Baba fell ill and his devotees feared the worst. Booty also felt dejected, wondering whether Baba would live to see the completed wada, never mind grace it with his presence. The whole construction seemed pointless to him if Baba was not going to remain there in his body. However, Baba was to move into the wada in a way that had not been foreseen by others. His health rapidly deteriorated and on 15 October 1918 he lay with his body fading fast. His last words were, "I'm not feeling well in the masjid. Carry me to the dagadi wada."
Baba was indeed carried to the wada, and was buried in the place where the image of Murlidhar was to have been placed; an edifice was later raised over the tomb. However, this did not happen immediately, as a dispute erupted over where Baba was to be buried. One faction led by Kushalchand, Amir Shakhar and Bade Baba insisted on burial in a Muslim grave outside Lendi Gardens, which Shama also supported; Ramchandra Patil headed the group that insisted that Baba's last words be respected and he be buried in Booty Wada. The group wanting burial in the Muslim burial ground not only deemed it appropriate for a fakir, but more urgently, they wanted to ensure that they would have access to the tomb. They were apprehensive that if Baba was buried in a private house, the tomb would become the personal property of the owner and there would be no guarantee of their admittance. Others, however, especially the younger generation, were adamant that Baba be buried in Booty Wada. Both groups shared the desire to honour Baba appropriately and the matter was eventually settled by plebiscite.


Samdhi Mandir
The Samadhi Mandir
The day that Baba took mahasamadhi, Tuesday, 15 October 1918, was a highly auspicious and holy one in both the Hindu and Muslim calendars. It was the ninth day of Ramzan (a major festival and fasting month for Muslims) and it also happened to be the major Hindu festival of Vijayadasami. Furthermore ekadasi (a significant time in the lunar cycle of the Hindu calendar) had just started. Two months previously Baba had sent a message to Banne Mia fakir, saying that "on the ninth day, of the ninth month, Allah is taking away the lamp he lit". He also sent some offerings to the fakir Shamsuddin Mia and a request to do moulu and qawalis (both are types of devotional singing) and nyas (feeding of the poor). Thus right up until his final moments in the body, Baba was embracing both communities.
The news of Baba's passing spread quickly, and thousands came to Dwarkamai for a final darshan, queuing for five or six hours. The body was kept on a hand-cart all night, while the preparations - digging a pit and building the platform - went on. Before the burial, Baba's kafni was removed and he was given a final bath. It is reported that even at this stage his body remained soft, as if he were merely sleeping. Earlier, while the body was in the wheelchair, his nose started to bleed (usually impossible in a lifeless body).
Twenty-six hours after he had left his body, Baba was finally interred. Certain personal articles were buried with him: the broken brick, now mended with gold and silver wire; one of his satkas; a chillim; needle and cotton (Baba would mend his clothes until they were a mass of repairs, a cause of affectionate amusement among close devotees); some spices to preserve the body; and an old cloth bag that Baba never allowed anyone to touch, but which devotees investigated after his mahasamadhi and found that it contained a green kafni and a cap.
The burial was completed by Wednesday evening and the tomb sealed. A photograph of Sai Baba was placed on a throne on the platform above the tomb. It remained there until the statue was installed in 1954. That picture is now kept in the recess of the Samadhi Mandir where some other articles used or touched by Baba are on display.
The mandir that we see now is about twice the size of the original building, having been later extended back from the stone arches. As the temple authorities try to find new ways of coping with the ever-increasing flow of visitors, various alterations are made. In 1998 a hall, adjoining Dwarkamai, was added to the back of the mandir, so that it has again almost doubled in size. Devotees who wish to spend time in the Samadhi Mandir may use this part of the building.

The Statue and tomb of Sri Sai Baba

Sri Sai Baba of Shirdi
Cherished statue of Sri Sai Baba
 
For pilgrims to Shirdi, darshan at Baba's tomb is the climax of their visit and the statue above the tomb represents the living, breathing God. As such, it is the focus of all their longings, hopes and desires, and a concrete form to which they can express their love. The statue is admired as an extraordinary andexquisite image, exuding grace and benevolence, and a mysterious vitality. Baba sits relaxed, natural and majestic, gazing benignly on the millions of diverse visitors who flock to him for succour. Many have commented on the life-like quality of the eyes, as these are typically the most difficult feature to portray in a stone sculpture. In this statue, though, they really do seem to be looking at us and responding!
Baba repeatedly assured devotees that he would never cease to answer their call even from his tomb, and that his mission is "to give blessings". The pull of the tomb, above which the statue sits, is powerful and intense and draws seekers to Shirdi in numbers that increase every year. Here, devotees address their heartfelt prayers, beg for help, give thanks and offerings for prayers answered and wishes fulfilled, sing their devotion, and pay humble obeisance to their beloved deity. For them, the statue does not merely represent God, it is God; and the opportunity to prostrate before it and make oblations may be the fulfilment of a lifetime's ambition.
The statue, which has become such a famous and well-loved image of Baba, was not installed until 1954, and there is an intriguing story behind it. Some white marble arrived from Italy at the Bombay docks, but nobody seemed to know anything about it - who it was for, or why it had come. In the absence of a claimant, the dockyard auctioned it and the purchaser offered it to the Shirdi Sansthan (temple authorities). Impressed by the quality of the marble, they wanted to use it for an image of Baba and gave the commission to a sculptor from Bombay, Balaji Vasant Talim. However, the latter had only one black-and-white photo of Baba to use as his model and was struggling to get the likeness. One night Baba came to him in a dream, remarked on his difficulties and then showed him his face from various angles, encouraging Talim to study it thoroughly and remember it well. This gave Talim the fillip he needed and after that the work flowed easily and the result exceeded all expectations.

Samadhi Mandir
Baba's darshan
 
The statue was installed on 7 October 1954, on Vijayadasami day, the 36th anniversary of Baba's mahasamadhi. The ceremony was performed by Swami Sai Sharananand who, as a youth (then named Vaman Patel), had had direct contact with Baba during the eight years before Baba's mahasamadhi. The Nandi bull (statue of Shiva's vehicle) now seen at the entrance of the temple was added later. The silver throne upon which the statue is seated and from where Baba governs his spiritual empire weighs 60.82 kg. A grand new throne weighing 205 kg was installed on Ramanavami 2002 and is used on special festival days.

Samadhi Mandir
Baba's tomb with padukas in front.
"My bones will assure you from my samadhi.
It will communicate with you.
It will respond to whoever surrenders to it."
 
As the main object of adoration in Shirdi, the statue is accorded all due honours. As one of the chief Sansthan officials said, "We believe that Baba is still alive." Out of their love for Baba, devotees wish to provide every comfort and respect they can. Accordingly, Baba is given a hot water bath in the morning, offered breakfast, lunch and dinner, has his clothes changed four times a day before each arati and is adorned with a silver or gold crown for the arati worship. At night a mosquito net is hung and the tomb is spread with a special plain white cotton cloth, of the type that Baba's kafni was made. A glass of water is kept by his side. Each morning at five o'clock Baba is woken up, the mosquito net is removed, and incense is offered while bhupali (a morning raga) is sung.

After the first arati of the day, abhishekam (ritual bathing of the statue with water, milk, curd, ghee etc) is performed. Devotees may sponsor the abhishekam by contacting the Donation Office. Visitors may also donate cloth for Baba, which will be wrapped around the statue. Later, all the cloth that Baba has "worn" is put on sale in the Sansthan shop, just a few metres from the mandir. Many people like to buy cloth that has been sanctified in this way and use it for their altar or some other sacred purpose.
Samadhi Mandir
Devotees queue for darshan inside the Samadhi Mandir
 
Believing that their work is service to a living Sai Baba, a living god, the priests carry out their duties with tender love and care. One of them related that once when bathing the statue, he inadvertently dropped the water container onto it.
For the next two days he had a severe pain in his knee, went to the doctor, had injections, took painkillers and did everything he could to try to alleviate it. Eventually he prayed to Baba and asked why he had to suffer in this way. That night Baba came to him in a dream and said, "You think you're in pain, but how do you think I felt when you dropped the jar?" Thereafter the priest was careful not to injure Baba in any way, and to respect the statue as if it were the living Baba in a physical body.
The feeling and experience that Baba is still alive and present pervades all the Sansthan facilities and activities of his devotees. As you move around Shirdi, you will see that this sentiment informs life, worship and pilgrimage here and contributes to the mystique and magic of what we call Shirdi.

Display of Baba's articles

Inside the shrine, behind a glass window on the left side as you face the samadhi, some things associated with Baba are on display. These include three pairs of sandals (though Baba was almost always barefoot), his folded clothes in a glass-fronted cupboard, several chillims, ornaments for Shyam Sunder the horse, cooking pots and a silver palanquin.
There is one other item here which, though insignificant looking, perhaps holds the greatest fascination for Sai devotees, and that is Baba's satka. This short, sturdy stick played a role in many of Baba's leelas. It is not that Baba gave it so much importance (as he did, say, to the brick), but whenever someone or something was to be chastised or driven out, we usually find that the satka is there, being shaken, waved threateningly or beaten on the ground. For example, when a sudden cyclone hit Shirdi, trapping the devotees in the mosque and causing them to fear for their lives, crops and livelihoods, Baba, upon being appealed to, simply shook his satka and ordered it to stop. In a similar way, he once commanded the wildly leaping flames of the dhuni to be calm. The satka was also once used to intimidate a group of Muslims waiting to threaten Mhalsapati outside the mosque.
On another occasion, Baba used the satka for healing purposes. He had warned Mhalsapati that some misfortune would strike his family, but that Mhalsapati should not worry as he would take care of it. Soon after, several members of Mhalsapati's family fell seriously ill. Some devotees who were doctors offered Mhalsapati medicine, but Baba discouraged him from using it, saying simply that the sick should stay in bed. With that, he walked around the mosque waving the satka exclaiming, "Come on, show us your power! Let's see it, such as it is, and I will show you the power of my satka if you [dare to] come and face me." This was the way Baba treated the disease and cured it without any other medicine.

Arati

Arati
Arati flame
Arati is a form of congregational worship with music and lights, celebrated with particular elan in Maharashtra and especially in Shirdi. Those interested in the history of arati and its evolution in Shirdi are referred to Arati Sai Baba - the Psalm Book of Shirdi Aratis by Sri Sainathuni Sarath Babuji.
For many who come to Shirdi, attendance at arati is one of the highlights of their visit. It is perhaps during arati that we can most easily experience the essence of Shirdi and the power of Baba's presence. Some people experience a heightened state and speak of a dissolution of the sense of separation, the erosion of the boundary between self and God. Others say that this is the time when Baba comes "alive" for them and answers their questions and prayers.
The effect of the group and its stirring emotion - of faith, longing and devotion - acts powerfully on the heart. The atmosphere becomes highly charged and there is a palpable sense of the numinous. In Baba's time too, it seems that arati was an occasion when his grace was particularly felt and experienced by the devotees. Some of these instances are recorded in Shirdi Diary by G. S. Khaparde who, in his own phlegmatic style, speaks of a particular elation at such times. The impact of the ceremony is intensified by dazzling sensual input: for the eyes there is a dynamic kaleidoscope of colourful images (the fondly adorned statue and samadhi, the waving arati flame, the red and gold uniform of the mace-bearing chopdars); for the ears there are the melodious and passionately rendered songs accompanied by harmonium and other instruments - not to mention the thrilling cries of praise at the end; and for fragrance there is the aroma of incense, rose-water and numerous flower offerings.

Samadhi Mandir
Prostrating before Baba.
Of the thirty or so devotional songs sung in the aratis, about half were specially composed for Baba and the remainder are traditional arati songs by the medieval poet-saints of Maharashtra. Most of them are in Marathi with a couple each in Hindi and Sanskrit. A small booklet of English transliterations is available; Arati Sai Baba (already mentioned) includes transliterations, full English translations and commentaries.
Arati is held four times a day at Baba's samadhi: at 5 a.m., noon, sunset (around 6.30 p.m.) and at 10 p.m. A siren resounds throughout Shirdi a few minutes before the noon and sunset aratis, and at four o'clock in the morning. The ceremony is broadcast by an amplified system throughout the village. To attend arati it is best to go early and join those waiting in the Queue Complex, where there will be a separate line from the regular darshan queue. If you are too late for this you may be able to enter through the Mukh Darshan entrance, i.e. directly into the mandir at the northeast corner (depending on the number of the people) and attend from the back of the Samadhi Hall. If you are unable to get inside the Samadhi Mandir because of the crowd, you can participate in arati by going next door to Dwarkamai. It was in Dwarkamai that arati was originally performed to Baba and devotees still flock here to join in the worship. Alternatively, you can watch the arati on one of the outside television screens located around the mandir, including one at Gurusthan.
"While singing devotional songs in unison, a devotee can cut across the cussed insulations of the ego and merge easily into the group rhythm. It induces a sense of expanded consciousness in which one tends to lose the individual 'voice'. The sense of being 'apart from the world' is subtly replaced by an awareness of being a part of a 'whole'."
(Sri Babuji)